Gender Roles Of Women And Men - 845 Words

In today’s society both male and female are expected to play specific gender roles. In Canada women and men are thought of as equal, having the same rights to respect, autonomy, and independence (Bonvillain and Miller 2013: 39). The CBSA ignored this right when the agency allowed religious travellers to avoid female guards. Although men and women may have different roles in their households and communities, their work and activities are equally valued and socially rewarded (Bonvillain and Miller 2013: 39). These roles play an important part in shaping the way individuals think about others in society. The CBSA should not have approved the request of the religious travelers as it disvalued the female guards’ rights by promoting gender inequality and male dominance. The approval of the males’ request raises the gender issue of gender inequality. Specifically because of their gender, the female guards could not perform their regular duties as a CBSA officer. Women and men should be thought of as equal by having the same rights to respect, autonomy, and independence (Bonvillain and Miller 2013: 39). In certain societies women are targeted as weak and unable to fulfill certain male positions. It is argued by Bonvillain and Miller on page 41 â€Å"that other tasks assigned to men and women may not be considered equivalent or equally valuable. The five males did not take the female guards’ occupation seriously as they felt the males would perform the job more efficiently. SocietyShow MoreRelatedGender Roles Of Men And Women1749 Words   |  7 PagesRoles of Males and Females in Different Television Programs Americans watch an alarming amount of television starting from a young age. The average American watches five hours of television a day (Koblin 2016). This enormous amount of media input influences perceptions and is connected to cementing many things in people, such as gender roles. Gender roles are thoughts, actions, and feelings learned by a person fitting their gender due to cultural norms (Santrock 2016). Additionally, stereotypes appealRead MoreGender Roles Of Women And Men1461 Words   |  6 PagesFor years, women have always been inferior to men. Even the bible states, women must be submissive. During War World II, women got a chance to experience a hint of freedom. Not by choice of course. While men went off to war, women had to hold down the fort at home. This marked the beginning to pioneer change. No one foresaw this innovation until it was too late. In a society were men are superior to women, was no longer susceptible. The road towards equality was certainly not an eas y one. AlthoughRead MoreGender Roles Of Women And Men1464 Words   |  6 Pages Introduction: Gender Roles in media is how women and men are portrayed in everyday media such as tv shows, movies, and music. Today media can have negative effects on the thought of gender roles in the society because more and more people stereotype following the media, while stereotyping can lead to prejudices and gender discrimination. This is a controversial issue because men and women are depicted a certain way with unequal and identified gender-related stereotypes which influence the societyRead MoreGender Roles of Men and Women2024 Words   |  8 PagesThe gender roles of men and women are defined before a person is even born. When a parent finds out that their child is either a little boy or girl, themselves and other family members will begin the process of gender role socialization. Gender role socialization as defined in Gidden’s Introduction to Sociology is â€Å"the learning of gender through social factors such as schooling, the media and family.† (Giddens et al. 2014 : 216) By buying all blue or pink, making sure the boy will have trucks andRead MoreGender Roles Of Women And Men Essay1485 Words   |  6 PagesAbstract Through many generations women were not treated equally as men. Women have fought their way to have gender equality but it has been slowly progressing. More women are starting to have high ranked jobs, more have been going into the workforce and don’t have to stay home all day long to take care of the kids. There are many differences between the gender roles (how women and men act or how they should be) when it comes to certain things. Like if you tell a girl, she hits like a boy or tellRead MoreThe Gender Roles Of Men And Women1243 Words   |  5 PagesThe gender roles of men and women were quite different in pre-20th-century drama. In his play Lysistrata, Aristophanes creates a world to bring about his thoughts on the Peloponnesian war with the comedic relief of gender role reversal. The women in his play are not necessarily the way women of his time were, but more of what men thought they were as well as what men feared or fantasized women could be like. Through action an d dialogue, the play shows examples of several different types of women. LysistrataRead MoreGender Roles Of Men And Women1702 Words   |  7 Pagesthe agricultural to industrial societies gender role has gradually changed in many ways. It can be seen from today that the role of male and female does not really much different. From the past with the perspective that women need to stay at home and perform housework while men need to work outside, these perspectives have changed over the time. Gender role which was built within the social contexts and since the globe has changed role of both men and women should be able to transform themselves toRead MoreGender Roles Of Men And Women1362 Words   |  6 PagesGender Roles in Fairy Tales Fairy tales have been around for generations. They are a way to express the idealistic realities of society. In most fairy tales, the roles of men and women reflect the way men and women are portrayed in reality. Many cultures believe that women are to be seen and not heard and that the only necessity for them is to take care of the house and raise children to repopulate society. Fairy tales originated from oral tradition. These stories were passed down and here eventuallyRead MoreGender Roles Of Men And Women1998 Words   |  8 Pages Men and Women have many different life experiences that allow their literature to be different from each other. Gender plays a really important role in society. From the day we are born, we are instantly given a blue blanket if we are a boy or a pink blanket if one is a girl. In society, we are told that we can be whoever we want to be, but many people especially women are criticized if they want to endure a path that is similar to a male. In literatu re, authors are able to express from their realRead MoreGender Roles And Expectations Of Men And Women1009 Words   |  5 Pagesthe last few decades, there has been a trend of shift in roles and expectations of men and women. The shift was dynamic in the latter half of the twentieth century. World had been made a great stride in acquiring and adapting to the new definition of gender roles. These changes can be seen in the fields of education, media, economics as well as many other things. The reason for the change is a rapid increase in the number of women at workplaces-worldwide. Unlikely, this wave of change is

Use of Symbols in The Lottery by Shirley Jackson - 981 Words

Many great authors use symbolism numerous of time in their stories. A symbol is a noun or word that represents a different idea. An author displays the symbols as a hit rather than blurting it out. Symbols are not only used in novels or poems, they are also used in everyday use. For an example, the American flag has fifty stars on it which each star represents a state. On the other hand, the thirteen stripes plays the part of our thirteen colonies; the beginning of our country. Even with our high school, a tiger pawl represents us as a fighting tiger that will strive to do what’s right, and to show our strength against our greatest rivals. In the short story â€Å"The Lottery† there was a village that practice an ancient sacrificial killing for†¦show more content†¦(The Lottery- Names) Jack is standing for the young generation. He was the youngest household taking the risk for the family. â€Å"glad to see your mother’s got a man to do it† (Shirley Jackson 1994) One of the minor characters in â€Å"The Lottery† is Mrs. Delacroix. According to Martine â€Å"the name Delacroix is the meaning of the cross in French† (Literary Analysis Essay) The Delacroix family wasn’t picked, so they were blessed. Gobellan6 Shirley Jackson did not only use characters to represent a different idea but she also used objects for symbolism. The main object form the story was the black box. â€Å"The box plays on the idea of a coffin holding the dead people† (symbolism in Shirley Jackson ‘The Lottery’†) The box contains the white papers which represent each family, who have a chance of death. The box itself is a symbolizes tradition. â€Å"No one really knows how the lottery began, but they keep following through with it, because it’s always been done†(pirate teacher) The villagers themselves have no clue when the lottery started, but it’s been their tradition that they’ve been doing for years. It’s been done even before Old Time Warner. Not only is it a tradition to the people but they are also loyal to it. â€Å"The black box is nearly falling apart... But the villagers are unwilling to replace it.†(Symbols The Black Box) Even the villagers knew that the box was hardly even a box. Their loyalty to the box was so great that they won’tShow MoreRelatedUse of Symbolism in The Lottery by Shirley Jackson1146 Words   |  5 PagesSymbolism. Symbolism is the use of object, name, or person to represent an idea. If a name is being use, a name such as autumn can represent the adulthood of a human. Creatures such as an Eagle, represents ‘Freedom’ and ‘America’. Even inanimate objects can represent ideas; the light bulb represents ideas that just sparked into a character’s head. In the short story, â€Å"The Lottery† by Shirley Jackson, a village has just entered the month of June, meaning that the lottery is to begin. When everyoneRead MoreIgnornance of Tradition in The Lottery, by Shirley Jackson1014 Words   |  5 Pagesstarted them or why they were enacted in the first place. The community, in the short story The Lottery by Shirley Jackson, is no different. The community members follow the tradition of the lottery without any consideration to its ramifications. Shirley Jacksons goal for writing The Lottery is to get the reader to question why certain things are done. She accomplishes this through her use of symbols, her description of the fear of change, and the portrayal of the dangers associated with blindlyRead MoreLiterary Elements in The Lottery, by Shirley Jackson1334 Words   |  6 Pagesshort story, â€Å"The Lottery,† by Shirley Jackson communicates this theme by showing how the villagers participate in a lottery every year. In life, there are people who follow tradition because the have to, or they are used to following without question. The author, Shirley Jackson was born on December 14, 1916 in San Francisco, California. In 1937, Shirley Jackson attended Syracuse University where she began to write short stories. She was famous for the short story, â€Å"The Lottery,† and her best sellerRead MoreSymbolism in The Lottery, by Shirley Jackson Essay example1173 Words   |  5 PagesWhen most people play the lottery today, they think about having wealth. Generally, people who win are happy about it whether they win one dollar or a million. The lottery in our society has grown to support education and it is often worth several million dollars. Usually, the winner of the lottery gains a lot of recognition for the money they win. But what would happen if there was a small town where people held a yearly lottery in which the â€Å"winner† was the member of the town who was not sacrificedRead More Summary On The Allegory Of Shirley Jacksons The Lottery871 Words   |  4 Pages Shirley Jackson’s story â€Å"The Lottery† serves as an allegory regarding humankinds inherent to be cruel and society’s ability to inure to violence. The author’s use of a third-person dramatic narrative combined with strong themes, symbols and irony clearly supports the lesson Jackson was trying to portray. Jackson’s short story shows how easy it is to be hostile when a group of villagers with a herd mentality blindly follow an outdated tradition and that evil knows no boundaries. JacksonRead MoreThe Lottery Literary Analysis1538 Words   |  7 Pageswarmth of a full-summer day; the flowers were blossoming profusely and the grass was richly green† (Jackson). In this first sentence of the The Lottery Shirley Jackson establishes a pleasant illusion, creating a sense of serenity. Jackson proceeds to mention that children begin to gather in the village, frolicing and conversing about school. The initial scene and satirically labeled title, The Lottery, provide a somewhat satisfying first impression to the reader. The introductory scene is eminent toRead MoreSymbols in The Lottery by Shirley Jackson 649 Words   |  3 PagesIn most peoples minds, the word â€Å"lottery† signifies huge winnings, but for the townspeople in the story â€Å"The Lottery† by Shirley Jackson the word brings forth fear and devastation. The lottery starts off as a seemingly innocent event which immediately turns into feared, mass chaos in the town. The symbols Jac kson incorporates into the story contribute to the fact that everything in this town must be replaced and that some things we must let go of to start fresh with. Although, having said that, peopleRead MoreThe Lottery, By Shirley Jackson And A Rose For Emily By William Faulkner960 Words   |  4 PagesThe Use of Symbolism in â€Å"The Lottery† by Shirley Jackson and â€Å"A Rose for Emily† by William Faulkner The use of symbolism is used in literature to enhance writing and add meaning to a story, this is evident in the two short stories â€Å"The Lottery† written by Shirley Jackson and â€Å"A Rose for Emily† written by William Faulkner. With the authors use of symbolism Jackson and Faulkner are able to add depth to their writing in a way that connects with the readers. By adding symbolism to the short storiesRead MoreThe Lottery By Shirley Jackson972 Words   |  4 Pagesâ€Å"The Lottery† by Shirley Jackson, is a short story about an annual lottery draw in a small New England town. The town’s people have performed the lottery for more than seventy years. Shirley Jackson gives â€Å"The Lottery† a whole different meaning . The lottery is used for a public stoning, opposing to the very first thing that approaches to a reader s mind when they think of the lottery; a big amount of money . The reader sees both literal and metaphorical meaning of the Sh irley Jackson’s short storyRead MoreSymbolizing the Ideas and Beliefs in The Lottery1167 Words   |  5 Pagescustoms and ideas. In â€Å"The Lottery† the people from the community are sacrificing in order for their crops to grow. Many lives are at risk and in fear despite the acceptance of their actions.Symbolism is something that represents ideas or qualities of an object. An example of this can be a dove which represents peace. In the short story The Lottery, it takes place in the late 40s early 50s. The whole story is a contradiction because you would think that having a lottery would be a good thing, but

The Vampire Diaries The Fury Chapter Thirteen Free Essays

string(30) " something leaped into focus\." â€Å"You think we’re supposed to-look inside?† Matt said. â€Å"I don’t know,† Elena said miserably. She didn’t want to see what was inside that tomb now any more than she had when Tyler had suggested opening it to vandalize it. We will write a custom essay sample on The Vampire Diaries: The Fury Chapter Thirteen or any similar topic only for you Order Now â€Å"Maybe we won’t be able to get it open,† she added. â€Å"Tyler and Dick couldn’t. It started to slide only when I leaned on it.† â€Å"Lean on it now; maybe there’s some sort of hidden spring mechanism,† Alaric suggested, and when Elena did, with no results, he said, â€Å"All right, let’s all get a grip, and brace ourselves-like this. Come on, now-â€Å" From his crouch, he looked up at Damon, who was standing motionless next to the tomb, looking faintly amused. â€Å"Excuse me,† Damon said, and Alaric stepped back, frowning. Damon and Stefan each gripped an end of the stone lid and lifted. The lid came away, making a grinding sound as Damon and Stefan slid it to the ground on one side of the tomb. Elena couldn’t bring herself to move closer. Instead, fighting nausea, she concentrated on Stefan’s expression. It would tell her what was to be found in there. Pictures crashed through her mind, of parchment-colored mummified bodies, of rotting corpses, of grinning skulls. If Stefan looked horrified or sickened, disgusted†¦ But as Stefan looked into the open tomb, his face registered only disconcerted surprise. Elena couldn’t stand it any longer. â€Å"What is it?† He gave her a crooked smile and said with a glance at Bonnie, â€Å"Come and see.† Elena inched up to the tomb and looked down. Then her head flew up, and she regarded Stefan in astonishment. â€Å"What is it?† â€Å"I don’t know,† he replied. He turned to Meredith and Alaric. â€Å"Does either of you have a flashlight? Or some rope?† After a look inside the stone box, they both headed for their cars. Elena remained where she was, staring down, straining her night vision. She still couldn’t believe it. The tomb was not a tomb, but a doorway. Now she understood why she had felt a cold wind blow from it when it had shifted beneath her hand that night. She was looking down into a kind of vault or cellar in the ground. She could see only one wall, the one that dropped straight down below her, and that one had iron rungs driven into the stone, like a ladder. â€Å"Here you go,† Meredith said to Stefan, returning. â€Å"Alaric’s got a flashlight, and here’s mine. And here’s the rope Elena put in my car when we went looking for you.† The narrow beam of Meredith’s flashlight swept the dark room below. â€Å"I can’t see very far inside, but it looks empty,† Stefan said. â€Å"I’ll go down first.† Bonnie hadn’t moved. She was still standing there with that utterly abstracted expression on her face, as if she saw nothing around her. Without a word, she swung a leg over the edge of the tomb, twisted, and began to descend. â€Å"Whoa,† said Stefan. He tucked the flashlight in his jacket pocket, put a hand on the tomb’s foot, and jumped. Elena had no time to enjoy Alaric’s expression; she leaned down and shouted, â€Å"Are you okay?† â€Å"Fine.† The flashlight winked at her from below. â€Å"Bonnie will be all right, too. The rungs go all the way down. Better bring the rope anyway.† Elena looked at Matt, who was closest. His blue eyes met hers with helplessness and a certain resignation, and he nodded. She took a deep breath and put a hand on the foot of the tomb as Stefan had. Another hand suddenly clamped on her wrist. â€Å"I’ve just thought of something,† Meredith said grimly. â€Å"What if Bonnie’s entity is the Other Power?† â€Å"I thought of that a long time ago,† Elena said. She patted Meredith’s hand, pried it off, and jumped. She stood up into Stefan’s supporting arm and looked around. â€Å"My God†¦Ã¢â‚¬  It was a strange place. The walls were faced with stone. They were smooth and almost polished-looking. Driven into them at intervals were iron candelabra, some of which had the remains of wax candles in them. Elena could not see the other end of the room, but the flashlight showed a wrought-iron gate quite close, like the gate in some churches used to screen off an altar. Bonnie was just reaching the bottom of the rung ladder. She waited silently while the others descended, first Matt, then Meredith, then Alaric with the other flashlight. Elena looked up. â€Å"Damon?† She could see his silhouette against the lighter black rectangle that was the tomb’s opening to the sky. â€Å"Well?† â€Å"Are you with us?† she asked. Not â€Å"Are you coming with us?† She knew he would understand the difference. She waited five heartbeats in the silence that followed. Six, seven, eight†¦ There was a rush of air, and Damon landed neatly. But he didn’t look at Elena. His eyes were oddly distant, and she could read nothing in his face. â€Å"It’s a crypt,† Alaric was saying in wonder, as his flashlight scythed through the darkness. â€Å"An underground chamber beneath a church, used as a burial place. They’re usually built under larger churches.† Bonnie walked straight up to the scrolled gate and placed one small white hand on it, opening it. It swung away from her. Bonnie walked straight up to the scrolled gate and placed one small white hand on it, opening it. It swung away from her. Bonnie stopped. This is it, thought Elena, her breath catching in her throat. Oh, my God, this is it; this is really it. She had the sudden intense sensation of being in the middle of a lucid dream, one where she knew she was dreaming but couldn’t change anything or wake up. Her muscles deadlocked. She could smell fear from the others, and she could feel the sharp edge of it from Stefan beside her. His flashlight skimmed over objects beyond Bonnie, but at first Elena’s eyes could make no sense of them. She saw angles, planes, contours, and then something leaped into focus. You read "The Vampire Diaries: The Fury Chapter Thirteen" in category "Essay examples" A dead-white face, hanging grotesquely sideways †¦ The scream never got out of her throat. It was only a statue, and the features were familiar. They were the same as on the lid of the tomb above. This tomb was the twin of the one they had come through. Except that this one had been ravaged, the stone lid broken in two and flung against the wall of the crypt. Something was scattered about the floor like fragile ivory sticks. Bits of marble, Elena told her brain desperately; it’s only marble, bits of marble. They were human bones, splintered and crushed. Bonnie turned around. Her heart-shaped face swung as if those fixed blank eyes were surveying the group. She ended directly facing Elena. Then, with a shudder, she stumbled and pitched violently forward like a marionette whose strings have been cut. Elena barely caught her, half falling herself. â€Å"Bonnie? Bonnie?† The brown eyes that looked up at her, dilated and disoriented, were Bonnie’s own frightened eyes. â€Å"But what happened?† Elena demanded. â€Å"Where did it go?† â€Å"I am here.† Above the plundered tomb, a hazy light was showing. No, not a light, Elena thought. She was sensing it with her eyes, but it was not light in the normal spectrum. This was something stranger than infrared or ultraviolet, something human senses had not been built to see. It was being revealed to her, forced on her brain, by some outside Power. â€Å"The Other Power,† she whispered, her blood freezing. â€Å"No, Elena.† The voice was not sound, in the same way that the vision was not light. It was quiet as star shine, and sad. It reminded her of something. â€Å"I’ve been waiting for you,† Honoria Fell’s voice said softly. â€Å"Here I can speak to you at last in my own form, and not through Bonnie’s lips. Listen to me. Your time is short, and the danger is very great.† Elena found her tongue. â€Å"But what is this room? Why did you bring us here?† â€Å"You asked me to. I couldn’t show you until you asked. This is your battleground.† â€Å"I don’t understand.† â€Å"This crypt was built for me by the people of Fell’s Church. A resting place for my body. A secret place for one who had secret powers in life. Like Bonnie, I knew things no one else could know. I saw things no one else could see.† â€Å"You were psychic,† Bonnie whispered huskily. â€Å"In those days, they called it witchery. But I never used my powers for harm, and when I died they built me this monument so that my husband and I could lie in peace. But then, after many years, our peace was disturbed.† The eldritch light ebbed and flowed, Honoria’s form wavering. â€Å"Another Power came to Fell’s Church, full of hatred and destruction. It defiled my resting place and scattered my bones. It made its home here. It went out to work evil against my town. I woke. â€Å"I have tried to warn you against it from the beginning, Elena. It lives here below the graveyard. It has been waiting for you, watching you. Sometimes in the form of an owl-â€Å" An owl. Elena’s mind raced ahead. An owl, like the owl she had seen nesting in the belfry of the church. Like the owl that had been in the barn, like the owl in the black locust tree by her house. White owl†¦ hunting bird†¦ flesh eater†¦ she thought. And then she remembered great white wings that seemed to stretch to the horizon on either side. A great bird made of mist or snow, coming after her, focused on her, full of bloodlust and animal hate†¦ â€Å"No!† she cried, memory engulfing her. She felt Stefan’s hands on her shoulders, his fingers digging in almost painfully. It brought her back to reality. Honoria Fell was still speaking. â€Å"And you, Stefan, it has been watching you. It hated you before it hated Elena. It has been tormenting you and playing with you like a cat with a mouse. It hates those you love. It is full of poisoned love itself.† Elena looked involuntarily behind her. She saw Meredith, Alaric, and Matt standing frozen. Bonnie and Stefan were next to her. But Damon†¦ where was Damon? â€Å"The Snow Dance!† Meredith said sharply. â€Å"Yes. And this time they will kill until the last of them is killed.† â€Å"We have to warn those people,† Matt said. â€Å"Everyone at that dance-â€Å" â€Å"You will never be safe until the mind that controls them is destroyed. The killing will go on. You must destroy the Power that hates; that is why I have brought you here.† There was another flux in the light; it seemed to be receding. â€Å"You have the courage, if you can find it. Be strong. This is the only help I can give you.† â€Å"Wait-please-† Elena began. The voice continued relentlessly, taking no heed of her. â€Å"Bonnie, you have a choice. Your secret powers are a responsibility. They are also a gift, and one that can be taken away. Do you choose to relinquish them?† â€Å"I-† Bonnie shook her head, frightened. â€Å"I don’t know. I need time†¦Ã¢â‚¬  â€Å"There is no time. Choose.† The light was dwindling, caving in on itself. Bonnie’s eyes were bewildered and uncertain as she searched Elena’s face for help. â€Å"It’s your choice,† Elena whispered. â€Å"You have to decide for yourself.† Slowly, the uncertainty left Bonnie’s face, and she nodded. She stood away from Elena, without support, turning back to the light. â€Å"I’ll keep them,† she said huskily. â€Å"I’ll deal with them somehow. My grandmother did.† There was a flicker of something like amusement from the light. â€Å"You’ve chosen wisely. May you use them as well. This is the last time I will speak to you.† â€Å"But-â€Å" â€Å"I have earned my rest. The fight is yours.† And the glow faded, like the last embers of a dying fire. With it gone, Elena could feel the pressure all around her. Something was going to happen. Some crushing force was coming toward them, or hanging over them. â€Å"Stefan-â€Å" Stefan felt it too; she could tell. â€Å"Come on,† Bonnie said, her voice panicked. â€Å"We have to get out of here.† â€Å"We have to get to the dance,† Matt gasped. His face was white. â€Å"We have to help them-â€Å" â€Å"Fire,† cried Bonnie, looking startled, as if the thought had just come to her. â€Å"Fire won’t kill them, but it will hold them off-â€Å" â€Å"Alaric.† Stefan spoke with the ring of command. â€Å"You go back. Take the others; do what you can. I’ll stay-â€Å" â€Å"I think we all should leave!† Alaric shouted. He had to shout to be heard over the deafening noise surrounding them. His weaving flashlight showed Elena something she hadn’t noticed before. In the wall next to her was a gaping hole, as if the stone facing had been ripped away. And beyond was a tunnel into the raw earth, black and endless. Where does it go? Elena wondered, but the thought was lost among the tumult of her fear. White owl†¦ hunting bird†¦ flesh eater†¦ crow, she thought, and suddenly she knew with blinding clarity what she was afraid of. â€Å"Where’s Damon?† she screamed, dragging Stefan around as she turned, looking. â€Å"Where’s Damon?† â€Å"Get out!† cried Bonnie, her voice shrill with terror. She threw herself toward the gate just as the sound split the darkness. It was a snarl, but not a dog’s snarl. It could never be mistaken for that. It was so much deeper, heavier, more resonant. It was a huge sound, and it reeked of the jungle, of the hunting bloodlust. It reverberated in Elena’s chest, jarred her bones. It paralyzed her. The sound came again, hungry and savage, but somehow almost lazy. That confident. And with it came heavy footfalls from the tunnel. Bonnie was trying to scream, making only a thin whistling sound. In the blackness of the tunnel, something was coming. A shape that moved with a rangy feline swing. Elena recognized the snarl now. It was the sound of the largest of the hunting cats, larger than a lion. The tiger’s eyes showed yellow as it reached the end of the tunnel. And then everything happened at once. Elena felt Stefan try to pull her backward to get her out of the way. But her own petrified muscles were a hindrance to him, and she knew that it was too late. The tiger’s leap was grace itself, powerful muscles launching it into the air. In that instant, she saw it as if caught in the light of a flashbulb, and her mind noted the lean shining flanks and the supple backbone. But her voice screamed out on its own. â€Å"Damon, no!† It was only as the black wolf sprang out of the darkness to meet it that she realized the tiger was white. The great cat’s rush was thrown off by the wolf, and Elena felt Stefan wrench her out of the way, pulling her sideways to safety. Her muscles had melted like snowflakes, and she yielded numbly as he put her against the wall. The lid of the tomb was between her and the snarling white shape now, but the gate was on the other side of the fight. It was an impossible match. The black wolf, vicious and aggressive though it might be, didn’t stand a chance. One swipe of the tiger’s huge claws laid the wolf’s shoulder open to the bone. Its jaws snarled open as it tried to get a bone-cracking grip on the wolf’s neck. But then Stefan was there, training the blaze of the flashlight into the cat’s eyes, thrusting the wounded wolf out of the way. Elena wished she could scream, wished she could do something to release this rushing ache inside her. She didn’t understand; she didn’t understand anything. Stefan was in danger. But she couldn’t move. â€Å"Get out!† Stefan was shouting to the others. â€Å"Do it now; get out!† Faster than any human, he darted out of the way of a white paw, keeping the light in the tiger’s eyes. Meredith was on the other side of the gate now. Matt was half carrying and half dragging Bonnie. Alaric was through. The tiger lunged and the gate crashed shut. Stefan fell to the side, slipping as he tried to scramble up again. â€Å"We won’t leave you-† Alaric cried. â€Å"Go!† shouted Stefan. â€Å"Get to the dance; do what you can! Go!† The wolf was attacking again, despite the bleeding wounds in its head, and its shoulder where muscle and tendon lay exposed and shining. The tiger fought back. The animal sounds rose to a volume that Elena couldn’t stand. Meredith and the others were gone; Alaric’s flashlight had disappeared. â€Å"Stefan!† she screamed, seeing him poised to jump into the fight again. If he died, she would die, too. And if she had to die, she wanted it to be with him. The paralysis left her, and she stumbled toward him, sobbing, reaching out to clutch him tightly. She felt his arm around her as he held her with his body between her and the noise and violence. But she was stubborn, as stubborn as he was. She twisted, and then they faced it together. The wolf was down. It was lying on its back, and although its fur was too dark to show the blood, a red pool gathered beneath it. The white cat stood above it, jaws gaping inches from the vulnerable black throat. But the death-dealing bite to the neck didn’t come. Instead the tiger raised its head to look at Stefan and Elena. But the death-dealing bite to the neck didn’t come. Instead the tiger raised its head to look at Stefan and Elena. The whiskers were straight and slender, like silver wires. Its fur was pure white, striped with faint marks like unburnished gold. White and gold, she thought, remembering the owl in the barn. And that stirred another memory†¦ of something she’d seen†¦ or something she’d heard about†¦ With a heavy swipe, the cat sent the flashlight flying out of Stefan’s hand. Elena heard him hiss in pain, but she could no longer see anything in the blackness. Where there was no light at all, even a hunter was blind. Clinging to him, she waited for the pain of the killing blow. But suddenly her head was reeling; it was full of gray and spinning fog and she couldn’t hold on to Stefan. She couldn’t think; she couldn’t speak. The floor seemed to be dropping away from her. Dimly, she realized that Power was being used against her, that it was overwhelming her mind. She felt Stefan’s body giving, slumping, falling away from her, and she could no longer resist the fog. She fell forever and never knew when she hit the ground. How to cite The Vampire Diaries: The Fury Chapter Thirteen, Essay examples

Cooperative intelligent transport system - Myassignmenthelp.Com

Question: Discuss about theCooperative intelligent transport system. Answer: Transit management systems The transit management system is a particular coordination that provides accurate information related to the positioning and the satisfactions safety as well as the security of the commuters. The transit management system is fundamental in the increasing of the ridership, thus enhancing the operational efficiency and reducing the disruptions in the service. The passengers have the right to utilize this kind of information at home, work or a transportation center, with various technologies while commuting. These certain information are general information, maps, Scheduled information, operation information (Festag 2014). One significant example of the transit management system is the Automatic Vehicle Location (AVL) technology, which gives the facility of tracking down the vehicle in terms of vehicular tracking. The AVL system also facilitates the imparting of vital information concerning the real time or live positioning of a vehicle. This also includes the imparting of information t o the commuters to keep a check on the schedule dedication and location of the transit bound vehicles (Binjammaz, Al-Bayatti and Al-Hargan 2013). References Binjammaz, T., Al-Bayatti, A. and Al-Hargan, A., 2013, March. GPS integrity monitoring for an intelligent transport system. InPositioning Navigation and Communication (WPNC), 2013 10th Workshop on(pp. 1-6). IEEE. Festag, A., 2014. Cooperative intelligent transport systems standards in Europe.IEEE communications magazine,52(12), pp.166-172.